#Visual Communications

[mostlysignssomeportents]

A year in illustration (2024), Part four

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2024/12/07/great-kepplers-ghost/art-adjacent

Part one

Part two

Part three

The US Copyright Office frees the McFlurry

Figuring out how to illustrate the problems of DRM in McFlurry machines took some doing, but I'm super happy with how the HAL 9000-eyed poop emoji inside a spattered McFlurry cup (fair use of a McDonald's promo image) worked out.

https://pluralistic.net/2024/10/28/mcbroken/#my-milkshake-brings-all-the-lawyers-to-the-yard

(Image: Cryteria, CC BY 3.0, modified)

Keeping a suspense file gives you superpowers

Another Keppler classic: originally, this was FDR being offered a helping hand to cut through his paperwork. I added in one of the elephant heads I'd cropped out for election illustrations, and used it to represent "not forgetting."

https://pluralistic.net/2024/10/26/one-weird-trick/#todo

The housing crisis considered as an income crisis

The underlying image is another Keppler, showing death flamboyantly dicing with a millionaire. I added in an official (hence public domain) Reagan portrait, some monopoly houses, and a vintage aerial photo of Levittown, halftoned to disguise scaling artifacts.

https://pluralistic.net/2024/10/24/i-dream-of-gini/#mean-ole-mr-median

Retiring the US debt would retire the US dollar

More of Keppler's outstanding Uncle Sams! Add in a super-rezzed-up US $100 (all that intanglio looks great at high mag) and you've got an instantly arresting image.

https://pluralistic.net/2024/10/21/we-can-have-nice-things/#public-funds-not-taxpayer-dollars

Penguin Random House, AI, and writers' rights

The impatient guy makes another appearance in this WPA image of an adult literacy class; he's joined by another "business man" type, this one from a midcentury ad for a multi-level marketing scheme selling…business suits! The pupils' heads are all HAL 9000 eyes, natch, but don't miss all the little Easter Eggs, like the reeve and peasants in the frames on the walls.

https://pluralistic.net/2024/10/19/gander-sauce/#just-because-youre-on-their-side-it-doesnt-mean-theyre-on-your-side

(Image: Cryteria, CC BY 3.0, modified)

You should be using an RSS reader

The guerrilla fighter is back, this time standing atop some mainframe equipment ganked from a Univac ad. The halftoned RSS logo in the background really works, especially with a partially blended GIMP "supernova" effect behind the rebel.

https://pluralistic.net/2024/10/16/keep-it-really-simple-stupid/#read-receipts-are-you-kidding-me-seriously-fuck-that-noise

Dirty words are politically potent

I spent a bunch of time experimenting with different ways of making emphatic speech bubbles and it paid off here; that poop emoji's gawlix is in a good home. Halftoning the foreground element (the poop) works surprising well here. I should do more of that.

https://pluralistic.net/2024/10/14/pearl-clutching/#this-toilet-has-no-central-nervous-system

Lina Khan's future is the future of the Democratic Party – and America

Keppler's Uncle Sam Cop is back, along with another Keppler – a carpetbagger flying through the air after getting a kick in the pants. I got good use out of one of my Democratic Party donkeys here. The background is a half-tones WPA travel poster for Montana.

https://pluralistic.net/2024/10/11/democracys-antitrust-paradox/#there-will-be-an-out-and-out-brawl

Cars bricked by bankrupt EV company will stay bricked

I actually made this brick by hand: first I rescaled a box image until it had the right proportions, then I found a public domain texture that was the right kind of brick and used the perspective tool to put it over each face of the box. I told you public domain bricks are hard to find.

It was very satisfying overlaying all the elements of the Fisker car I cropped out onto the brick.

https://pluralistic.net/2024/10/10/software-based-car/#based

Prime's enshittified advertising

Nothing exceeds like excess! The flayed face with eyeballs comes from a 19th century book of French anatomical drawings. The calipers' handles just didn't look right (I referred to stills from Clockwork Orange to try and get 'em to work), but then I hit on the idea of using the "As Seen on TV" logo, which worked perfectly. The halftoned K-Tel ad-card background doesn't quite work, I think.

https://pluralistic.net/2024/10/03/mother-may-i/#minmax

"That Makes Me Smart"

This is actually two Kepplers; the original guy in the leg-hold trap is some lost-to-history politician embroiled in a lost-to-history scandal. But once I added (yet another!) of Keppler's Uncle Sam heads to his body (recoloring his coat and converting his trousers to red stripes), it became a perfect visual representation of America, trapped. The halftoned US flag is my favorite background yet.

https://pluralistic.net/2024/12/04/its-not-a-lie/#its-a-premature-truth

The far right grows through "disaster fantasies"

When it came to finding heavily armored and armed weirdos, I was spoilt for choice; same goes for grainy photos of vintage malls that look good after halftoning. Add in the goofy, grinning newsie's head and overlay his hat in camou, and it's perfect.

https://pluralistic.net/2024/11/24/mall-ninja-prophecy/#mano-a-mano

Boss politics antitrust

Finally, I got a chance to use Keppler's "Capital Controls the Senate!" I agonized over which corporate logos to use. Boss Tweed is back, with a Trump wig and MAGA hat.

https://pluralistic.net/2024/11/12/the-enemy-of-your-enemy/#is-your-enemy

Antiusurpation and the road to disenshittification

A diptych! Both sides' backgrounds come from Bosch's "Garden of Earthly Delights" – hell on the left, heaven on the right. The happy gas-jockey's old-fashioned ethyl pump divides the scene. The head-devouring dragon (with HAL 9000's eye) is a delightfully gory detail from Goltzius's 1183 painting of a couple guys having a hard time indeed.

https://pluralistic.net/2024/11/07/usurpers-helpmeets/#disreintermediation

(Image: Cryteria, CC BY 3.0, modified)

Bluesky and enshittification

I know, canonically the sirens who tempted Ulysses were merfolk, not half-woman/half-birds, but all the merwoman versions have a ton of naked breasts in them, and frankly, Waterhouses's 1891 "Ulysses and the Sirens" just rips. It took a lot of fiddling with the perspective tool and the clone brush to swap their bodies for the Bluesky butterfly wings, but it still looked weird until I mapped in a kind of scaly, butterfly wing texture.

https://pluralistic.net/2024/11/02/ulysses-pact/#tie-yourself-to-a-federated-mast

Shifting $677m from the banks to the people, every year, forever

I replaced Moses parting the Red Sea with Keppler's Uncle Sam Cop, but something still wasn't right. Then I figured out how to turn the Red Sea into a giant, aquatic US $100 bill (loooove that intaglio!) and it was awesome.

https://pluralistic.net/2024/11/01/bankshot/#personal-financial-data-rights

[gt-abby]

I got accepted into visual communications school!!!

I got accepted into the collage I wanted!

Everything paid off, I feel such a big relief…

Sorry I just wanted to celebrate a little bit

[asianamsmakingmusic]

Warren Furutani and friends performs at the NCRR DOR event at CSULA [x]

The Asian & Pacific Islander Student Union (APSU) was a statewide network of student organizations formed in the 1970s in response to the Regents of the University of California vs. Bakke decision that weakened affirmative action programs in the United States and ultimately paved the way for California to ban such programs altogether in 1996. APSU became heavily involved in political activism, particularly around social justice and civil rights issues, and accordingly, many of their events included marches, rallies, and protests. This protograph depicts singer Lisa Abe at the center of a full ensemble that includes brothers Alan and Warren Furutani at the NCRR Day of Remembrance event at CSULA.

[minsu-the-cowardly-human]

Did this food cart for visual communications. Did an apple cuz "an apple a day keeps the doctor away" and I've been thinking abt lsoh specifically orin scrivello dds so yeah.

[developmentlifeskill]

Visual Communication for UI Designers

In the dynamic world of UI design, where interfaces are gateways to digital experiences, mastering the art of visual communication is non-negotiable. Visual communication is more than just arranging pixels on a screen it’s about understanding how specific design elements evoke emotions, guide users, and create an engaging journey.

[pixxiecup]

MINECRAFT WOLF STIMBOARD WITH RELATED THINGS ! THIS IS BASED OFF THE CLASSIC DESIGN OR THE "PALE WOLF" DESIGN !

top banner [ 🐺 🦴 ❤️ / 🐺 🦴 ❤️ / 🐺 🦴 ❤️ ] dni banner by me

[fairyminnie444]

Close your eyes and imagine a lemon 🍋

Now, imagine yourself cutting a lemon. Bring it close and take a bite. What do you feel? Is it sour? Did your face instinctively contort? Does it seem real?

This proves that you don’t need to believe something for your mind and body to experience it.

Now, do the same with your desire. Close your eyes and create a scene where your manifestation is already yours. How does it feel? What thoughts run through your mind? How do you act now that it’s real?

It’s done. It’s yours. Treat it like a memory. Return to this feeling whenever doubts arise.

If you can imagine it, you can have it.

[mostlysignssomeportents]

A year in illustration (2024), Part one

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2024/12/07/great-kepplers-ghost/art-adjacent

As I go into my fifth year of writing Pluralistic (!), I find myself increasingly reflecting on the unexpected pleasures of creating the collages that head each post. I am by no means a visual artist – my drawing skills are sub-stick-figure, and my spatial sense overall is remarkable terrible. I can't solve jigsaws, I get lost in hotel corridors, and I can't find things that are right under my nose.

But addressing the challenge of illustrating extremely abstract ideas related to tech policy, corruption, monopoly and other hard-to-visualize ideas has awakened some kind of latent, heretofore unsuspected interest in visual communications in me. Relying exclusively on Creative Commons, public domain, and extremely solid fair use claims in selecting my source materials adds a spicy challenge that makes the whole thing even more engrossing.

I've written about my process in finding and preparing these sources before. Here's 2023's notes and highlights:

https://pluralistic.net/2023/12/21/collages-r-us/#ki-bosch

And here's 2022:

https://pluralistic.net/2022/12/25/a-year-in-illustration/

This year saw some new, exciting discovering and challenges. First and foremost is my switch to kagi.com as my preferred search-engine, which is like having access to a time machine that's connected to pre-enshittificated Google:

https://pluralistic.net/2024/04/04/teach-me-how-to-shruggie/#kagi

Kagi's image search is amazing, far better than Google's, and it has great copyright-based filters. When combined with tineye.com (for finding high-rez versions of images that might not be correctly tagged for rights status), it's even better. Even so, often Kagi will surface thumbnails of images Tineye can only find as high-rez on proprietary stock art sites like Alamy, covered in gross watermarks. These images are still in the public domain, watermarks or no, but erasing the watermarks is a lot of work. However, Alamy is a pretty good source of bibliographic information about the original sources of these images, for example, which issue of a 19th century boxing magazine they came out of, and then Kagi can find me high-rez scans of these sources, at the Internet Archive and/or the Library of Congress. I snag those PDFs and import them into the GIMP (which I use for editing) and pull, clean and crop a new high-rez version of those images for my own use. This year, I got much better at saving and organizing all that work on my laptop, but next year I'm hoping to get into a rhythm of uploading my high-rezzes to Wikimedia Commons so everyone can use 'em.

Getting better at collaging isn't merely getting better at using search tools, of course. Knowing what to search for is even more important, especially given the constraints of only using public domain/CC sources. The Library of Congress is a wellspring of visual material, but its own search tool is sadly lacking; however, Kagi's image search comes to the rescue again, thanks to the "site:loc.gov" flag, which restricts results to the LoC.

It was through these searches that I realized how many of the source images I was pulling down were the work of Joseph Keppler (1872-1956), an American political cartoonist who worked extensively for Punch:

https://en.wikipedia.org/wiki/Joseph_Keppler

Keppler was called upon to illustrate many, many political issues that have parallels with the modern competition, corruption and geopolitical stories. A scant few of these remain in the periphery of the public's imagination today, most notably "The Bosses of the Senate," quite possibly the most significant antitrust cartoon of all time:

https://en.wikipedia.org/wiki/The_Bosses_of_the_Senate

But Keppler is a wellspring of great public domain images, and I've been drawing on them heavily. It gives me great pleasure to do so, not just because they're so well-suited to the stories I write, but also because his posterity deserves it. He should be in the American illustrator pantheon alongside the likes of Norman Rockwell!

Besides my search engine and my sources, 2024 saw one other gigantic change in my collage-making: I had cataracts removed from both my eyes in September, and my ophthalmologist implanted lenses that corrected my severe astigmatism and permanently focused one of my eyes at 23" and the other at 25' (this is called monovision). My new eyeballs are still bedding in, and there are days when my vision is severely subpar, but I'm experiencing continuous improvement, and I think this will be a game-changer for 2025.

2025 will also see the long-awaited Version 3.0 release of The GIMP, the free/open image editor I exclusively use. GIMP (Generic Image Manipulation Program) was first released a quarter-century ago, and it's been in version 2.x for twenty years, so this is a big milestone. I can't wait!

https://lwn.net/SubscriberLink/998793/6c8d00bd1b2a7948/

Well, enough forematter. Let's get into this year's best illustrations. If you want high-rezzes of these (or any of my other collages), you can get them at full rez from my Flickr gallery of Pluralistic collages:

https://www.flickr.com/photos/doctorow/albums/72177720316719208

Someday, we'll all take comfort in the internet's "dark corners"

This one combines three sources: a public domain image of the Las Vegas sign, a CC 0 image of a western ghost-town, and a fair use gank of Mark Zuckerberg's metaverse avatar. I spent a lot of time hand-cropping the blades of grass around the sign's footing to create the illusion that it was planted in the ground. I'm also pretty happy with the dirt effect I managed on the sign.

https://pluralistic.net/2024/03/23/evacuate-the-platforms/#let-the-platforms-burn

Vice surrenders

I got these cover images from a gallery of old Dutch government workplace safety poster; they're delightfully gory in a way that rests comfortably in the cannon of Dutch bluntness. I did a lot of futzing with the Perspective tool to get the alignments right, atop the actual magazine covers (I believe they were Italian fashion magazines).

https://pluralistic.net/2024/02/24/anti-posse/#when-you-absolutely-positively-dont-give-a-solitary-single-fuck

How America's oligarchs lull us with the be-your-own-boss fairy tale

Man, I wish this one had a higher-rez original. The 19th century painting of a kid being read a bedtime story by her kindly granny was perfect, except it was only 804 pixels wide! The grinning Uncle Sam is from Keppler (Keppler's Uncle Sams are many, varied, and great). The grinning kid is from a 19th century collection of photos of child laborers, and I love his expression (he's a newsie). I think I did a really good job blending the US $100 (works of federal authorship are all public domain) with the bed curtains. I was disappointed with how the gold brick that granny's foot rests upon game out. I even followed my friend Alistair Milne's tip of cropping the brick, desaturating it, and putting it atop the gold texture in overlay mode and tweaking the curves. It just wouldn't pop the way it did in my mind's eye.

https://pluralistic.net/2024/02/16/narrative-capitalism/#sell-job

How I got scammed

This one uses some public domains stock art of a hacker in a hoodie, an online make-a-custom-credit-card generator, and two of my favorite visual tropes. The first is the 'code waterfall' effect from the credit sequences of the Wachowskis' 'Matrix' movies, which I use whenever I'm trying to illustrate something with a nexus with the digital world. I have a folder full of these, generated with this code waterfall generator:

https://github.com/Rezmason/matrix

The other element, of course, is the eye of HAL 9000 from Kubrick's '2001: A Space Odyssey'; there's an SVG of this on Wikimedia Commons by a user called 'Cryteria,' licensed CC BY 3.0, which I use whenever I want to illustrate a harm caused by computers:

https://commons.wikimedia.org/wiki/File:HAL9000.svg

https://pluralistic.net/2024/02/05/cyber-dunning-kruger/#swiss-cheese-security

(Image: Cryteria, CC BY 3.0, modified)

Solar is a market for (financial) lemons

I often write about scammers and hucksters, casting about for good visual representation. It wasn't until late January 2024 that I thought to look for an image of a carny barker and turned up this picture of WC Fields in full flight. He makes a lot of appearance after this point!

https://pluralistic.net/2024/01/27/here-comes-the-sun-king/#sign-here

(Image: Future Atlas/http://www.futureatlas.com/blog, CC BY 2.0; J Doll, CC BY 3.0; modified)

Boeing, Spirit and Jetblue, a monopoly horror-story

I was really determined to get the right aircraft for this story about Boeing 737s, but that meant cropping out the plane from Vitaly Druchenok's photo and then painstakingly recreating the Spirit Airlines livery. In the original version of the image, the airplane was sticking out of the roof of the Supreme Court, but my wife (wisely) vetoed that as suggesting a terrorist attack on the court (I wanted to imply that the court had caused the airline to crash).

https://pluralistic.net/2024/01/22/anything-that-cant-go-on-forever/#will-eventually-stop

(Image: Vitaly Druchenok, CC BY-SA 4.0; Joe Ravi, CC BY-SA 3.0; modified)

Tech workers and gig workers need each other

I cropped out these two women strikers from an early 20th century photo of a picket line and superimposed them on a photo of a massive union rally from the same era at (I think?) Madison Square Gardens. I am really chuffed with how nicely the (public domain) hacker/hoodie stock image and livery of a gig bike-delivery rider (fair use, ganked from a gig company's promo materials) blended with the strikers.

https://pluralistic.net/2024/01/13/solidarity-forever/#tech-unions

This one is in the running to be my favorite illo of the year. I knew it was going to slay the minute I found the image of the U Illinois campus secret society (spears! fezzes!). There's a really good public domain SVG recreation of the "Think Different" wordmark on Wikimedia Commons that I used here, spending some time getting the overlays and textures right:

https://commons.wikimedia.org/wiki/File:Apple_logo_Think_Different_vectorized.svg

https://pluralistic.net/2024/01/12/youre-holding-it-wrong/#if-dishwashers-were-iphones

End of the line for corporate sovereignty

I use this ogrish rich-guy-in-a-top-hat image all the time to represent the thuggish application of wealth; he comes from a delightful Soviet editorial cartoon called "Capital Controls the Government":

https://craphound.com/images/ussr-capital.jpg

Putting him behind the podium in a UN plenary room with a UN crest in his hand worked really well, though in hindsight, the cropped version I used for the post's hero image is even better:

https://craphound.com/images/27Mar2024.jpg

https://pluralistic.net/2024/03/27/korporate-kangaroo-kourts/#corporate-sovereignty

(Image: ChrisErbach, CC BY-SA 3.0, modified)

Conspiratorialism and the epistemological crisis

Another "thing at the front of a big room" image; this one works better that the UN one, I think.

Both of the sources for this have weird CC characteristics. The hearing room image comes from the Nuclear Regulatory Commission, a federal agency, and I am 99% certain that makes it public domain; however, whoever managed the NRC's Flickr account in 2014 applied a CC BY license to it, so I did the whole attribution for it, even though I think it wasn't needed.

The crumbled cardboard box image comes from a British company that sells cardboard boxes; they upload product shots to Flickr under CC BY 2.0 and require that the attribution string include their store's URL (not necessarily the URL of the image), presumably to get SEO backlinks. This is fine, but the CC BY 2.0 licenses have a serious defect in that a failure to correctly attribute them can give rise to serious ($150K!) copyright liability, something that a group of "copyleft trolls" have brutally exploited:

https://pluralistic.net/2023/04/02/commafuckers-versus-the-commons/

Which makes this kind of funky attribution a minefield. I try to touch all the bases by attributing to both the store's URL and the URL of the image. The real solution to this is for Flickr to finally update its CC licensing to push all its images up to CC 4.0 and push a notice to all users with CC images telling them they either have to consent to upgrading to the latest licenses, or have the licensing on their images reverted to "All Rights Reserved" (maybe with an asterisk explaining that they still have irrevocable but dangerous CC 2.0 licenses attached to them).

https://pluralistic.net/2024/03/25/black-boxes/#when-you-know-you-know

(Image: Nuclear Regulatory Commission, https://meanwell-packaging.co.uk, CC BY 2.0)

Your car spies on you and rats you out to insurance companies

I had so much fun with this one! Check out all those gracenotes! Munch's (public domain) "Scream" reflected in the mirrors, the windscreen, and the dashboard. The 'You Wouldn't Download a Car' parody reflected in the blade of the giant knife sticking out of the steering wheel!

https://pluralistic.net/2024/03/12/market-failure/#car-wars

(Image: Cryteria, CC BY 3.0, modified)

Wellness surveillance makes workers unwell

I love how this one turned out. The labcoated figure is actually a dentist from a gallery of images from the National Museum of Health and Medicine. The little flying guy in the back kills me.

https://pluralistic.net/2024/03/15/wellness-taylorism/#sick-of-spying

(Image: Cryteria, CC BY 3.0, modified)

Amazon's financial shell game let it create an "impossible" monopoly

I love this one. First of all, Hieronymus Bosch's 'The Conjurer' is a great visual representation of a slickster pulling a fast one on gawping yokels. But once I added Doc Searls' great shot of Jeff Bezos in mid-crazy-laugh to it (from a 2010 Techonomy Summit) it became perfectly trenchant. This was part of a short series of images that I added extra fingers and pupils to after someone scolded me online because they (incorrectly) believed I'd generated a collage with an AI image generator. Thankfully, that kind of absurd witch-hunting seems to have waned in popularity. What a ridiculous waste of everyone's time!

(Image: Doc Searls, CC BY 2.0, modified)

Part two

Part three

Part four

[umblrspectrum]

infinitely funnier visuals in my head, likely because they werent subject to my actual skill level in art

[incentiv0]

Also check out my new graphic design website. Someone just helped me put it up. monroegraphicdesign.com. And check out my IG at @monroegraphicdesign.

[minsu-the-cowardly-human]

Did this for Visual Communications where we had to take an English proverb(sayings like "cats have nine lives") and make a magazine cover. Decided to choose "Opposites attract" with my two ocs that are opposites, Victor(the vampire) and Max(the clown).

[whumpdaydreamerx]

Caretaker picking an injured Whumpee up off the floor and pulling them into their lap, back against their chest.

Whumpee being semiconscious, only able to manage a groan as their head falls back against Caretaker’s shoulder.

[tinyboyuwu]

Rainbow baby/kid core stimboard🖍️🌈🧩

[ilovecatfr]

How my child self would look at me finding out I can go to any reality I want and instead of going to Barbie dream world I'm risking my life in other reality doing dumb ass shit